Wedding Photography
Services
Weddings + elopements — your story captured from morning to midnight, with a balance of real moments and intentional portraits.
Other events — the same documentary approach, for the milestones that aren't weddings.
Just the whole day, properly photographed.
Wedding photography designed to capture every feeling — not just every moment.
Most of the day is photographed as it happens. I'll step in when direction helps, especially for portraits, but I'm not there to turn your wedding into a production.
35mm film for the romance, digital for the documentary truth of it all.
Collections
Handmade albums and fine art prints are available too, so the photographs end up somewhere other than a hard drive.
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AS LONG AS YOU NEED
£235 PER HOUR
For weddings with their own rhythm, where coverage needs to be shaped around the day rather than squeezed into a fixed package.
This coverage is charged by the hour and built around what matters most to you. That might be eight hours at Garsington Manor, a relaxed ceremony and drinks reception in Oxford, extra coverage of a rehearsal dinner the night before, or a wedding day with a slightly different shape to the usual morning-to-evening structure.
You still get the same calm approach, documentary-led photography, careful editing, creative guidance when needed, and a fully edited online gallery. A little 35mm film and a few Living Frames are woven in as standard, so even the shorter days carry the same texture, movement, and atmosphere as the full collection.
This is for couples who want thoughtful, flexible coverage without being pushed into a package that does not quite fit. Some weddings need the full Documentary Collection. Others need something more tailored, built around the real pace of the day rather than the imaginary spreadsheet version of it.
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THE DOCUMENTARY COLLECTION
STARTING AT £2100
Designed for the full, unhurried narrative of your weekend. I won't ask you to squeeze your day into a set number of hours or fake your cake cut before I go home. This collection is about complete, immersive coverage.
What’s Included:
Unrushed Coverage: From morning preparations to the peak of the party (typically 10+ hours).
The Mixed-Media Archive: A thoughtful blend of digital documentary photography and curated 35mm film.
Living Frames: Cinematic, atmospheric moving portraits (think the aesthetic of BTS content creation, but captured with an editorial eye).
Creative Guidance: Unlimited planning calls and timeline curation to ensure you actually enjoy your cocktail hour.
The Gallery: A fully edited, high-resolution online gallery ready to download, share, and print.
(Note: These rates apply until October 2026, when pricing will be reviewed. Couples who secure their date before then will lock in the current rate.)
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The Analogue Wedding
FROM £3,200
Full-day wedding photography, entirely on 35mm film
For couples who want their wedding photographed slowly, deliberately, and entirely on film.
This is a full-day analogue commission, photographed across up to 15 rolls of 35mm film. No endless spray-and-pray galleries, no digital safety net pretending to be romantic in the corner, and no attempt to make the day look cleaner than it felt. Just real light, real grain, real people, and a wedding day preserved with all the texture, imperfection and strange little magic that film does so well.
The final gallery is smaller, more curated, and more tactile than a standard digital wedding collection. It is for couples who care less about having every possible version of every possible moment, and more about having a body of images that feels atmospheric, honest, and alive.
Includes full-day coverage, up to 15 rolls of 35mm film, professional developing and scanning, careful editing, and a curated online gallery.
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Additional Services
Portrait photography
Engagement sessions
Film photography
Wedding day photography
Everything around the wedding day itself is below.
Engagement sessions across Oxford and the Cotswolds.
Engagement shoots
A relaxed hour before the day itself — useful for the portraits, and a good way to get comfortable in front of the camera. Photographed the same honest way as the wedding: relaxed, unposed, and true to how the two of you actually are together.
Same honest approach, twice the coverage.
Second photographer
For larger weddings, a second pair of hands means twice the coverage — both sides of the aisle, both families getting ready. For weddings that need a second pair of eyes, my wife Sara joins as second photographer.
A limited number of rolls, shot through the day.
Film photography
35mm film alongside the digital, for the grain and the warmth. A limited number of rolls shot through the day.
How do we book, and what's the deposit?
Send a note through the contact page with your date and venue, and I'll usually get back to you within a day or two. If we're a good fit, I'll send over a straightforward contract — a 25% retainer secures the date when you sign, and the remaining balance is due one month before the wedding.
We are awkward in front of the camera. Is that a problem?
No. Most people are.
In fact, I would be more worried if you told me you were completely natural in front of a camera. That sounds suspicious.
My job is to make the process feel easy, low-pressure and human. I will not ask you to do anything that feels wildly unlike you. The best photographs usually happen once people stop trying to be good at being photographed.
How many photos will we get, and when?
You'll typically receive several hundred fully edited images, delivered within six to eight weeks of the wedding — I'll usually share a handful of favourites sooner, so you're not waiting in silence. I don't hand back thousands of near-identical frames for you to sort through yourselves; every photo you get has been chosen and edited properly.
Do you travel for weddings?
Yes. I'm based in Oxfordshire and shoot across the Cotswolds regularly, but I'm happy to travel further afield — I've covered weddings well beyond both. Get in touch with your venue and date, and we'll work out the travel details together.
Frequently asked questions
How does the day actually work?
I turn up early, stay out of the way, and document things as they happen rather than staging them. That means the ceremony, the getting-ready chaos, the speeches, and all the in-between moments nobody thinks to ask for — plus a short portrait session with the two of you, so you're not missing your own party for it. Most of the day is candid. I'll only step in when a bit of direction genuinely helps.
What happens if it rains?
It usually rains at some point in a British wedding, so honestly, don't lose sleep over the forecast. Wet weather makes for some of the better photographs — umbrellas, reflections, everyone huddled together under a doorway laughing about it. I'll always have a backup spot and a plan for the light, so whatever the sky does, we just adapt and keep going.
Do you direct portraits?
Yes, but not in a stiff, catalogue sort of way.
I will give enough direction so you are not left standing in a field wondering what to do with your hands, which is apparently one of the great human mysteries. But I am not interested in making you perform romance for the camera.
A short walk, good light, a bit of quiet, maybe five minutes away from the noise. That is usually enough.
London to Paris
And everywhere in between
Have a story to tell? I’d love to hear it. Let’s begin with a simple note.