One main collection, plus a couple of alternatives for days with a different shape. That's it.
JUST THE WHOLE DAY, PROPERLY PHOTOGRAPHED.
There's film in every wedding I shoot — real weddings, real pricing, before you enquire.
The approach, the documentary honesty, the editorial moments with room to breathe. Digital for the pace of the day, 35mm film for its grain and character. The whole day, from the first quiet hour to the last dance, plus real pricing for the Documentary and Analogue collections, so you know what to expect before you enquire.
How I Photograph Weddings
Every collection is built on the same calm, documentary approach, with a curated selection of 35mm film woven through the digital coverage. What changes is simply how much of the day I capture, and how it lives on afterwards — from a properly edited gallery to fine-art albums and prints you design and order yourself, ready to be reached for again in thirty years.
Have a look through the three collections below. One of them is already the shape of your wedding.
The full story of your day, from first light to the last dance.
THE DOCUMENTARY COLLECTION — £2,200 FOR TEN HOURS
Full, unhurried coverage of your whole day, from morning preparations to the peak of the party — ten hours, with additional hours at £235 if your day runs later. A thoughtful blend of digital documentary photography and a curated selection of 35mm film, with a few Living Frames woven through: short moving clips from the day, not a wedding film. Unlimited planning calls and timeline curation, plus a fully edited, high-resolution online gallery ready to download, share and print. This is my main collection, and the way most weddings are best told.
Real light, real grain, real film — nothing digital pretending otherwise.
THE ANALOGUE WEDDING — FROM £3,200
A full day photographed slowly, deliberately and entirely on 35mm film — up to 15 rolls across the day. No endless spray-and-pray galleries and no digital safety net, just real light, real grain and a wedding preserved with all the texture and character that film does so well. Includes full-day coverage, professional developing and scanning, careful editing, and a smaller, more curated and tactile online gallery. For couples who care less about having every possible frame, and more about a body of images that feels atmospheric, honest and alive.
Thoughtful, flexible coverage — priced by the hour and shaped around your day.
AS LONG AS YOU NEED — £235 PER HOUR
Flexible coverage charged by the hour and shaped around your day rather than squeezed into a fixed package. Perfect for a shorter celebration, a relaxed ceremony and drinks reception, or a day with a slightly different rhythm to the usual morning-to-evening structure. You still get the same calm, documentary-led photography, careful editing, creative guidance when you need it, and a fully edited online gallery, with a little 35mm film woven through as standard. This is photography only, priced by the hour, for couples who want something thoughtful and tailored without committing to a full collection.
packages
The Documentary Collection is £2,200 for ten hours, with additional hours at £235. Final pricing may vary with travel and anything bespoke to your day.
DO YOU PROVIDE ALBUMS?
Yes, and you get to design them yourself.
Every collection comes with a properly edited online gallery, and from there you can design and order your own fine-art albums and prints directly, in whatever size, style and finish suits you. There is no waiting on me to build a layout, and no fixed album package you have to accept or pay around.
I would honestly rather you chose the images that matter most to you, arranged the way you want them, than hand you a single version I decided on. It is your day and your story, so it makes sense that the thing you keep on the shelf is genuinely yours too.
We are awkward in front of the camera. Is that a problem?
No. Most people are.
In fact, I would be more worried if you told me you were completely natural in front of a camera. That sounds suspicious.
My job is to make the process feel easy, low-pressure and human. I will not ask you to do anything that feels wildly unlike you. The best photographs usually happen once people stop trying to be good at being photographed.
Do you shoot film?
Yes. I shoot a mix of digital and 35mm film.
Digital gives me reliability, flexibility and proper coverage of the day. Film brings something slower and less polished in the best possible way. Grain, softness, colour, little imperfections. The things that make an image feel handled rather than manufactured.
Film isn't an add-on. It's part of how I photograph every wedding. If you'd like the whole day on film, that's what The Analogue Wedding is for.
What are Living Frames?
Living Frames are short, simple video clips taken alongside the photography.
They are not a full wedding film, and they are not trying to be. Think of them as small moving fragments from the day: a dress moving in the wind, voices during speeches, hands clinking glasses, the weird little dance floor moments that still photographs can only half explain.
They sit somewhere between memory and atmosphere. A few are included in the Documentary Collection as standard.
Frequently asked questions
How would you describe your approach?
Quietly observant, lightly directed, and very much built around the actual day rather than a fantasy version of it.
I photograph weddings with a documentary eye and an editorial sense of composition. That means I am looking for real moments, good light, movement, texture, small gestures, strange little bits of human behaviour, and the things you may not notice while you are busy being hugged by every living relative.
I will step in when direction is useful, especially for portraits, group photos and timings. The rest of the time, I am watching properly.
Do you take formal group photographs?
Yes. I do not believe group photos need to become a Victorian endurance test.
We will plan a short, sensible list before the day so nobody is standing around for forty-five minutes wondering why Uncle Barry has disappeared to the bar. I usually suggest keeping it to the key combinations unless there is a good reason to go bigger.
The aim is simple: get the important people photographed clearly, warmly and efficiently, then let everyone return to the actual wedding.
Do you direct portraits?
Yes, but not in a stiff, catalogue sort of way.
I will give enough direction so you are not left standing in a field wondering what to do with your hands, which is apparently one of the great human mysteries. But I am not interested in making you perform romance for the camera.
A short walk, good light, a bit of quiet, maybe five minutes away from the noise. That is usually enough.
Oxford, the Cotswolds
And further afield
Send me your date, your venue and a line or two about the day you're planning. I'll reply within a day or so, usually much sooner.